The Challenge of Habitat

“The grass is always greener on the other side of the fence.”

— Folk Wisdom

Nature has the last call when the beauty of a landscape unravels. A photographer can thus only develop pure patience after understanding this fact. The outdoors have been calling my soul since I can recall. And in view of these odd Corona days, I came to realise how gifted I was. Taking travelling for granted is rather easy in Europe. However, and thanks to quarantine, I was forced to see my local area with different eyes. This brief body of work expresses my introspection into my close surroundings.

Landscape photography has always been about getting as far as I can from home and scouting for the perfect view. Landscapes exceed the decisive moment, and are the result of a close and pristine relationship with nature. Based on this principle, how could I shoot my ubiquitous habitat? How could I take landscape photos of dull crop-fields that move to the rhythm of human hand? My first reaction was to wait; after all, experts told us that lockdown was going to last just a couple of days. But as time went by, nature’s call was growing louder and deeper in my mind. I had to do something; and eventually went out to explore my home.

First of all, it is remarkably hard and challenging to shoot locally. This is because the deep connection with our ordinary surroundings bias our gaze so deeply that it becomes nearly impossible to find anything of interest around us. After noticing this, I was reassured that travelling and photography are a match made in heaven. This is because it is a hack – any foreign place or culture provides the opportunity of being easily surprised.

What if a tourist came to my hometown? That was the moment which allowed me to comprehend everything in a different way. I had to shoot, I had to overcome the challenge; and I somehow did. A wise friend once told me that everything had already been photographed. Therefore, I should stop worrying. “Try shooting everything that has already been captured in your own way, and you’ll find that everything is new for your camera and your eyes” he said. To reinterpret the world was his command, and so I followed his advice. Nature was generous to me, and I’m sure that these ordinary places had never been photographed in such a way. The colour palette vibrantly gets along with itself, everything in this venue screams for serenity and compositional balance – the countryside shaped by light of the magic hour.

I used a telephoto lens with these landscape shots on principle. And this is often a preferred decision in contrast to wide angle options. Here, the four panoramas share something with each other. They all give us an entry look, and human presence gets lost in the field. There are no distracting natural elements in the foreground, and there are no heavy weighted visual artefacts as well. There is just less emphasis on interrupting features, making the complete image the main subject of the storytelling act. The landscape evolves and is free from obstacles. It flows and breathes in front of the viewer. It is an open invitation what the condensed visual impact has to offer. And this is my tribute to the Utopian human life we all shall pursue.

Erzgebirge, Germany, April 2020.

Härtensdorf, Erzgebirge, Germany by Nils Leonhardt

Härtensdorf, Erzgebirge, Germany by Nils Leonhardt

 

Reinsdorf, Erzgebirge, Germany by Nils Leonhardt

Reinsdorf, Erzgebirge, Germany by Nils Leonhardt

 

Hartenstein, Erzgebirge, Germany by Nils Leonhardt

Hartenstein, Erzgebirge, Germany by Nils Leonhardt

 

Langenbach, Erzgebirge, Germany by Nils Leonhardt

Langenbach, Erzgebirge, Germany by Nils Leonhardt

 

Zschocken, Erzgebirge, Germany by Nils Leonhardt

Zschocken, Erzgebirge, Germany by Nils Leonhardt

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